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Dolly Parton Started Singing The Old Folk Song Her Mother Taught Her As A Child, Then Spotted Stephen Colbert Fighting Back Tears Across The Room, Turning A Simple Childhood Memory Into An Unforgettable Emotional Moment

Dolly Parton Sang An Old Song Her Mother Taught Her — And Within Minutes Stephen Colbert Was Wiping Away Tears

Dolly Parton had spent decades moving audiences with her own songs, but one of her most emotional television moments came from a tune she had first heard as a child.

During an appearance on The Late Show on October 20, 2020, Dolly was talking to Stephen Colbert about her upbringing and the music her mother used to sing around the house when she suddenly began performing the traditional folk ballad Bury Me Beneath the Willow.

There was no band and no elaborate staging.

Just Dolly singing a few lines from a song tied to memories of her mother.

Within moments, Colbert was removing his glasses and wiping tears from his eyes.

Dolly noticed — and kept singing.

A Song Dolly Remembered From Childhood

Dolly Parton, Stephen Colbert

The unexpected performance came as Dolly reflected on the music that surrounded her while growing up.

Her mother frequently sang traditional songs to the family, often without accompaniment, exposing Dolly to storytelling through music long before she became one of America’s most celebrated songwriters.

Many of those old folk songs were far from cheerful.

Dolly jokingly described some of them as “plum pitiful,” remembering the sad stories that fascinated her as a child.

One was Bury Me Beneath the Willow.

The traditional folk song, which was also famously recorded by the Carter Family, tells a deeply melancholy story involving a woman abandoned by the man she expected to marry.

While explaining the song to Colbert, Dolly did something he apparently was not expecting.

She started singing.

Stephen Colbert Could Not Hold Back His Tears

Dolly Parton, Stephen Colbert

Without musical accompaniment, Dolly began performing the song as though she were reaching back into childhood.

The moment quickly changed the atmosphere of the interview.

As Dolly continued singing, Colbert became visibly emotional.

By the end of the second verse, he was crying.

Dolly immediately spotted his reaction.

“Aw, you’re crying?” she teased.

But she did not stop.

She continued singing, allowing the old melody and its melancholy story to carry the moment.

It was striking precisely because it appeared so spontaneous. There was no elaborate introduction announcing an emotional performance and no attempt to turn the moment into a grand production.

A conversation about Dolly’s mother had simply become a song.

And the song had caught Colbert completely off guard.

‘You Got Under My Trip Wire’

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After finishing, Dolly lightened the mood in typically playful fashion.

She joked that she had better stop before Colbert cried so much that he could no longer finish the show.

Colbert laughed while attempting to regain his composure, but admitted that Dolly had reached him at a particularly emotional time.

“Like a lot of Americans, I’m under a lot of stress right now, Dolly,” he told her.

He then explained that she had “got under my trip wire.”

The interview took place in October 2020, during the coronavirus pandemic and a period of enormous uncertainty and disruption across the United States.

Colbert ultimately offered a much simpler assessment of what had just happened.

The performance was beautiful.

The Song Carried Memories Of Dolly’s Mother

The power of the performance also came from where the song sat within Dolly’s own story.

She was not simply singing an old folk standard she happened to know.

It was part of the musical world created for her during childhood by her mother.

Long before Dolly wrote the songs that would eventually make her famous, she was listening to traditional stories told through melody.

Those early experiences helped shape her relationship with songwriting.

The sadness, humor, characters and vivid storytelling that surrounded her as a child would become qualities closely associated with her own work.

Decades later, sitting opposite Stephen Colbert, she needed only her voice to demonstrate why those childhood songs had remained with her.

Dolly Was Looking Back On A Lifetime Of Songwriting

The conversation came as Dolly prepared for the release of Songteller: My Life in Lyrics, a book examining her life through her songwriting and the stories behind her music.

By then, her catalog stretched across decades.

But the interview also demonstrated that the musical memories preceding her professional career remained important.

The discussion moved between Dolly’s childhood influences and the songs she had written herself, including more recent material inspired by the struggles people were experiencing during the coronavirus pandemic.

For Dolly, songwriting had long been a way of turning difficult experiences into stories people could recognize themselves in.

That connection between personal emotion and music was suddenly visible in real time as Colbert listened to her sing.

Three Songs Remained Especially Close To Her Heart

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During the interview, Dolly was also asked to identify favorites from her enormous catalog.

She selected three.

One was Coat of Many Colors, among the most autobiographical songs she ever recorded.

Another was I Will Always Love You, the ballad that became one of her signature compositions and later reached another enormous audience through Whitney Houston’s recording.

Her third choice was the lesser-known Down From Dover.

Together, the selections reflected the kind of deeply emotional storytelling that had defined much of Dolly’s songwriting.

Yet the performance that left Colbert wiping away tears that night was not one of those famous songs.

It was something much older.

No Stage Production Was Needed

The simplicity of the moment made it particularly memorable.

Dolly did not need an orchestra, a spotlight or one of the enormous hits associated with her career.

She was sitting in an interview, remembering her mother.

Then she sang.

The transition was so natural that Colbert seemed unprepared for the emotional effect it would have on him.

His tears became part of the moment, but Dolly’s response prevented it from becoming overly solemn.

She noticed him crying, gently teased him and continued singing.

That mixture of tenderness and humor felt entirely consistent with the stories Dolly had spent her career telling.

A Childhood Memory That Survived For Decades

There is something fitting about the path Bury Me Beneath the Willow took through Dolly’s life.

She first knew it as one of the traditional songs sung by her mother during a childhood filled with music.

Years later, Dolly became a songwriter herself, eventually building a catalog that would make her famous around the world.

Then, decades into that career, she found herself discussing those beginnings on late-night television.

She started singing the old song again.

This time, there was another person listening closely.

And before Dolly had even finished, Stephen Colbert was wiping away tears.

It was a small, spontaneous television moment — but also a reminder of something Dolly Parton had demonstrated throughout her career.

Sometimes a voice, a memory and an old song are more than enough.

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